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HomeProducts tagged “research”

research

Showing all 6 results

  • Art History, Digital Drawing, Exhibition, Research, Shihab

    Ed-Dur, UAE | 2024 | Presentation | Techniquest, Cardiff | UK

    Ed-Dur, UAE | 2024 | Presentation | Techniquest, Cardiff | UK
    Art History, Digital Drawing, Exhibition, Research, Shihab

    Ed-Dur, UAE | 2024 | Presentation | Techniquest, Cardiff | UK

    Prof.  Ernie Haerinck reveals evidence of the sun god temple at Ed-Dur, dating back to 100 CE, housing an eagle statue and Roman bronze sculptures. Ed-Dur blended Mesopotamian and Hellenistic influences to shape their deities. Another noteworthy site within the UAE is the monastery of Nestorian Christians, constructed on Sir Bani Yas Island in Abu Dhabi after the 6th century.

    SKU: Ed-Dur
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  • Art History, Digital Drawing, Exhibition, Research, Shihab

    Ibn Rushd 1126-1198 CE | 2024 | Presentation | Techniquest, Cardiff | UK

    Ibn Rushd 1126-1198 CE | 2024 | Presentation | Techniquest, Cardiff | UK
    Art History, Digital Drawing, Exhibition, Research, Shihab

    Ibn Rushd 1126-1198 CE | 2024 | Presentation | Techniquest, Cardiff | UK

    Within its grand architectural backdrop, the painting orchestrates an assembly of eminent ancient Greek philosophers, mathematicians, scholars, and scientists. Remarkably, this gathering transcends temporal boundaries, as it also includes the presence of Arab scientist Ibn Rushd from Cordoba. This interplay of diverse cultures underscores the painting’s significance as a testament to the exchange of ideas and the interwoven tapestry of human thought.

    John Holgate 2016

    In his commentary, Ibn Rushd explores the relationship between ethics and reason, discussing topics such as virtue, morality, and the pursuit of happiness. He also wrote commentaries on Aristotle’s “Metaphysics“, “Physics” and other works. Ibn Rushd’s commentaries were widely studied in universities in the Middle Ages, including the University of Padua.

    SKU: Ibn Rushd 1126-1198 CE
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  • Art History, Digital Drawing, Drawing, Exhibition, Research, Shihab

    John Ruskin 1885, Stones of Venice | 2024 | Presentation | Techniquest, Cardiff | UK

    John Ruskin 1885, Stones of Venice | 2024 | Presentation | Techniquest, Cardiff | UK
    Art History, Digital Drawing, Drawing, Exhibition, Research, Shihab

    John Ruskin 1885, Stones of Venice | 2024 | Presentation | Techniquest, Cardiff | UK

    Vermeer’s “Girl with a Pearl Earring” created around 1665 CE, has been interpreted as portraying a young woman in an attire with exotic influences, potentially inspired by Ottoman court fashion. The blue turban and lemon-yellow veil-like cloth cascade from the top to the shoulders, presenting an exotic Ottoman attire from the Dutch perspective. Particularly captivating element of the painting is the substantial waterdrop-shaped pearl hanging from her ear. The segment of the pearl glistens with a golden hue, creating a vivid contrast against the shaded area of her neck. During that era, Oman and Ras Al Khaima in UAE were prominent pearl producers in the Middle East, catering to Europe’s demand for these exquisite gems.

    SKU: John Ruskin 1885, Stones of Venice
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  • Art History, Exhibition, Research, Shihab

    The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai| 2024 | Presentation, Cardiff | UK

    The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai| 2024 | Presentation, Cardiff | UK
    Art History, Exhibition, Research, Shihab

    The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai| 2024 | Presentation, Cardiff | UK

    The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai.

    In 1590, Gasparo Balbi, a pearl merchant from Venice, mentioned Dubai and other regions in the UAE in his travelogue “Viaggio dell’Indie orientali”. Balbi was traveling through the region in search of pearls, which were highly valuable commodities in Europe at the time. Renaissance painters like Rembrandt and Vermeer frequently depicted pearls in their works. Vermeer’s “Girl with a Pearl Earring,” created around 1665, is one notable example. During Balbi’s exploration of the Persian Gulf and the Arabian Peninsula, he took note of several key locations associated with the pearl trade, including Dubai, Sharjah Ajman, Ras Al Khaima, etc in the UAE. His mention of Dubai and its surroundings is one of the earliest known references to the area, indicating that even in the late 16th century, Dubai had begun to gain prominence as a hub for the lucrative pearl industry, exporting to Europe. Balbi’s writings provide valuable historical insight into the region’s economic activity and its role in international trade long before the modern development of Dubai as a global city.

    Vermeer’s “Girl with a Pearl Earring” created around 1665 CE, has been interpreted as portraying a young woman in an attire with exotic influences, potentially inspired by Ottoman court fashion. The blue turban and lemon-yellow veil-like cloth cascade from the top to the shoulders, presenting an exotic Ottoman attire from the Dutch perspective. Particularly captivating element of the painting is the substantial waterdrop-shaped pearl hanging from her ear. The segment of the pearl glistens with a golden hue, creating a vivid contrast against the shaded area of her neck. During that era, Oman and many parts of the UAE, including Dubai were prominent pearl producers in the Middle East, catering to Europe’s demand for these exquisite gems.
    hashtag#Emirates hashtag#Renaissance hashtag#Art hashtag#shihabvaippipadath hashtag#pearl hashtag#dubai hashtag#vermeer

    SKU: Vermeer's "Girl with a Pearl Earring"
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  • Art History, Digital Drawing, Exhibition, Research, Shihab

    Understanding and navigating transcultural dynamics between Europe and Middle East | 2024 | Presentation | Techniquest, Cardiff | UK (Copy)

    Understanding and navigating transcultural dynamics between Europe and Middle East | 2024 | Presentation | Techniquest, Cardiff | UK (Copy)
    Art History, Digital Drawing, Exhibition, Research, Shihab

    Understanding and navigating transcultural dynamics between Europe and Middle East | 2024 | Presentation | Techniquest, Cardiff | UK (Copy)

    Understanding and navigating transcultural dynamics between Europe and Middle East | 2024 | Presentation | Techniquest, Cardiff | UK (Copy)

    SKU: Understanding and navigating
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  • Art History, Exhibition, Research, Shihab

    Vermeer’s “Girl with a Pearl Earring” | 2024 | Presentation | Techniquest, Cardiff | UK

    Vermeer's "Girl with a Pearl Earring" | 2024 | Presentation | Techniquest, Cardiff | UK
    Art History, Exhibition, Research, Shihab

    Vermeer’s “Girl with a Pearl Earring” | 2024 | Presentation | Techniquest, Cardiff | UK

    Vermeer’s “Girl with a Pearl Earring” created around 1665 CE, has been interpreted as portraying a young woman in an attire with exotic influences, potentially inspired by Ottoman court fashion. The blue turban and lemon-yellow veil-like cloth cascade from the top to the shoulders, presenting an exotic Ottoman attire from the Dutch perspective. Particularly captivating element of the painting is the substantial waterdrop-shaped pearl hanging from her ear. The segment of the pearl glistens with a golden hue, creating a vivid contrast against the shaded area of her neck. During that era, Oman and Ras Al Khaima in UAE were prominent pearl producers in the Middle East, catering to Europe’s demand for these exquisite gems.

    SKU: Vermeer's "Girl with a Pearl Earring"
    View Product

Showing all 6 results

  • Behind the door | 2009 | watercolour on paper | 15 X 15 cm Behind the door | 2009 | watercolour on paper | 15 X 15 cm
  • Monarch | 2008 | water colour on paper | 40 x 30 cm Monarch | 2008 | water colour on paper | 40 x 30 cm
  • Villages | 2003 | watercolour and ink on paper | 30 x 21 cm Villages | 2003 | watercolour and ink on paper | 30 x 21 cm
  • Railway line in the field | 2004 | lithography | 34 x 53 cm Railway line in the field | 2004 | lithography | 34 x 53 cm
  • Girl | 2008 | Watercolour and ink on paper | 40 x 30 cm Girl | 2008 | Watercolour and ink on paper | 40 x 30 cm
  • Artry Talk by Chittrrovanu Mazumdar | Artry | Dubai, UAE | 2013 Artry Talk by Chittrrovanu Mazumdar | Artry | Dubai, UAE | 2013
  • Bird in Heidelberg | 2007 | water colour on paper | 15 x 24 cm Bird in Heidelberg | 2007 | water colour on paper | 15 x 24 cm
  • Head | 2007 | lithography | 30 x 30 cm Head | 2007 | lithography | 30 x 30 cm
  • Surrounding my home | 1998 | etching | 15 x 12 cm Surrounding my home | 1998 | etching | 15 x 12 cm
  • Mango | 2006 | oil on canvas | 60 x 100 cm Mango | 2006 | oil on canvas | 60 x 100 cm
  • The construction site outside my window,, Dubai, UAE | 2016 | charcoal on paper | 30 x 21 cm The construction site outside my window,, Dubai, UAE | 2016 | charcoal on paper | 30 x 21 cm
  • Traces of Arabian civilization V | 2015 | Plaster of Paris, wood, found objects | 60 x 70 cm Traces of Arabian civilization V | 2015 | Plaster of Paris, wood, found objects | 60 x 70 cm
  • Human trade | 2007 | oil on canvas | 125 x 100 cm Human trade | 2007 | oil on canvas | 125 x 100 cm
  • Art history on coconut shells | 2015 | 300 Coconut shells | 500 x 300 cm Art history on coconut shells | 2015 | 300 Coconut shells | 500 x 300 cm
  • 3 men | 2003 | oil on canvas | 175 x 150 cm 3 men | 2003 | oil on canvas | 175 x 150 cm
  • Dream | 2004 | Watercolour and charcoal on paper | 15 x 25 cm Dream | 2004 | Watercolour and charcoal on paper | 15 x 25 cm
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