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Extended panorama of human life (detail) | 2005 | Watercolour on paper | 133 x 5000 cm (1,33 x 50 m)-part3

Extended panorama of human life (detail) | 2005 | Watercolour on paper | 133 x 5000 cm (1,33 x 50 m)-part3
Extended panorama of human life (detail) | 2005 | Watercolour on paper | 133 x 5000 cm (1,33 x 50 m)-part3
Collection in Germany
The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai| 2024 | Presentation, Cardiff | UK

The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai| 2024 | Presentation, Cardiff | UK
The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai.
In 1590, Gasparo Balbi, a pearl merchant from Venice, mentioned Dubai and other regions in the UAE in his travelogue “Viaggio dell’Indie orientali”. Balbi was traveling through the region in search of pearls, which were highly valuable commodities in Europe at the time. Renaissance painters like Rembrandt and Vermeer frequently depicted pearls in their works. Vermeer’s “Girl with a Pearl Earring,” created around 1665, is one notable example. During Balbi’s exploration of the Persian Gulf and the Arabian Peninsula, he took note of several key locations associated with the pearl trade, including Dubai, Sharjah Ajman, Ras Al Khaima, etc in the UAE. His mention of Dubai and its surroundings is one of the earliest known references to the area, indicating that even in the late 16th century, Dubai had begun to gain prominence as a hub for the lucrative pearl industry, exporting to Europe. Balbi’s writings provide valuable historical insight into the region’s economic activity and its role in international trade long before the modern development of Dubai as a global city.
Vermeer’s “Girl with a Pearl Earring” created around 1665 CE, has been interpreted as portraying a young woman in an attire with exotic influences, potentially inspired by Ottoman court fashion. The blue turban and lemon-yellow veil-like cloth cascade from the top to the shoulders, presenting an exotic Ottoman attire from the Dutch perspective. Particularly captivating element of the painting is the substantial waterdrop-shaped pearl hanging from her ear. The segment of the pearl glistens with a golden hue, creating a vivid contrast against the shaded area of her neck. During that era, Oman and many parts of the UAE, including Dubai were prominent pearl producers in the Middle East, catering to Europe’s demand for these exquisite gems.
hashtagEmirates hashtagRenaissance hashtagArt hashtagshihabvaippipadath hashtagpearl hashtagdubai hashtagvermeer
Ed-Dur, UAE | 2024 | Presentation | Techniquest, Cardiff | UK

Ed-Dur, UAE | 2024 | Presentation | Techniquest, Cardiff | UK
Prof. Ernie Haerinck reveals evidence of the sun god temple at Ed-Dur, dating back to 100 CE, housing an eagle statue and Roman bronze sculptures. Ed-Dur blended Mesopotamian and Hellenistic influences to shape their deities. Another noteworthy site within the UAE is the monastery of Nestorian Christians, constructed on Sir Bani Yas Island in Abu Dhabi after the 6th century.
Llandaff cathedral, Cardiff, UK | 2022 | pen drawing on paper | 15 x 15 cm

Llandaff cathedral, Cardiff, UK | 2022 | pen drawing on paper | 15 x 15 cm
Llandaff cathedral, Cardiff, UK | 2022 | pen drawing on paper | 15 x 15 cm
Llandaff Cathedral (1120 AD)
Llandaff Cathedral is a famous medieval-Gothic church in Cardiff, built in 1120 AD. During my time living in Germany between 1998 and 2012, I had the opportunity to interact with several people who had participated in World War II. An adventurous experience shared with me by a former pilot I met in Heidelberg might be connected to this cathedral.
In 1941, during World War II, when he was just 19 years old, he flew a bomber aircraft from Frankfurt toward Britain and dropped bombs there. However, the sight that awaited him when he returned home after the mission was devastating; the American army had completely bombed and destroyed his village. He later told me that he had gained absolutely nothing from the war.
The cathedral suffered severe damage from bombings during World War II. A large crater caused by a fallen bomb back then can still be seen on the grounds outside the cathedral today. Even there, they haven’t explicitly mentioned ‘Germany’; instead, they have only written ‘our enemies.’ This stands as a symbol of respect and humanity shown toward the German people. I spent a few minutes in silence, praying for both the German and Welsh people who lost their lives during the war.
The cathedral was later restored, and it still stands today as a proud symbol of the culture and grandeur of Wales.
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Extended panorama of human life (detail) | 2005 | Watercolour on paper | 133 x 5000 cm (1,33 x 50 m)-part3

Extended panorama of human life (detail) | 2005 | Watercolour on paper | 133 x 5000 cm (1,33 x 50 m)-part3
Extended panorama of human life (detail) | 2005 | Watercolour on paper | 133 x 5000 cm (1,33 x 50 m)-part3
Collection in Germany
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Installation, Mixed Media, Shihab, Watercolour
Extended panorama of human life (detail) | 2005 | Watercolour on paper | 133 x 5000 cm (1,33 x 50 m)-part3
Installation, Mixed Media, Shihab, WatercolourExtended panorama of human life (detail) | 2005 | Watercolour on paper | 133 x 5000 cm (1,33 x 50 m)-part3
Extended panorama of human life (detail) | 2005 | Watercolour on paper | 133 x 5000 cm (1,33 x 50 m)-part3
Collection in GermanySKU: ephl-2005-W-133c5000-3
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Installation, Mixed Media, Shihab, Watercolour
Extended panorama of human life (detail) | 2005 | Watercolour on paper | 133 x 5000 cm (1,33 x 50 m)-part3
Installation, Mixed Media, Shihab, WatercolourExtended panorama of human life (detail) | 2005 | Watercolour on paper | 133 x 5000 cm (1,33 x 50 m)-part3
Extended panorama of human life (detail) | 2005 | Watercolour on paper | 133 x 5000 cm (1,33 x 50 m)-part3
Collection in GermanySKU: ephl-2005-W-133c5000-3





































