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The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai| 2024 | Presentation, Cardiff | UK

The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai| 2024 | Presentation, Cardiff | UK
The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai.
In 1590, Gasparo Balbi, a pearl merchant from Venice, mentioned Dubai and other regions in the UAE in his travelogue “Viaggio dell’Indie orientali”. Balbi was traveling through the region in search of pearls, which were highly valuable commodities in Europe at the time. Renaissance painters like Rembrandt and Vermeer frequently depicted pearls in their works. Vermeer’s “Girl with a Pearl Earring,” created around 1665, is one notable example. During Balbi’s exploration of the Persian Gulf and the Arabian Peninsula, he took note of several key locations associated with the pearl trade, including Dubai, Sharjah Ajman, Ras Al Khaima, etc in the UAE. His mention of Dubai and its surroundings is one of the earliest known references to the area, indicating that even in the late 16th century, Dubai had begun to gain prominence as a hub for the lucrative pearl industry, exporting to Europe. Balbi’s writings provide valuable historical insight into the region’s economic activity and its role in international trade long before the modern development of Dubai as a global city.
Vermeer’s “Girl with a Pearl Earring” created around 1665 CE, has been interpreted as portraying a young woman in an attire with exotic influences, potentially inspired by Ottoman court fashion. The blue turban and lemon-yellow veil-like cloth cascade from the top to the shoulders, presenting an exotic Ottoman attire from the Dutch perspective. Particularly captivating element of the painting is the substantial waterdrop-shaped pearl hanging from her ear. The segment of the pearl glistens with a golden hue, creating a vivid contrast against the shaded area of her neck. During that era, Oman and many parts of the UAE, including Dubai were prominent pearl producers in the Middle East, catering to Europe’s demand for these exquisite gems.
hashtag Emirates hashtag Renaissance hashtag Art hashtag shihabvaippipadath hashtag pearl hashtag dubai hashtag vermeer
Traces of Arabian civilization VI | 2015 | oil paint on leaf base of palm tree | 60 x 15 cm

Traces of Arabian civilization VI | 2015 | oil paint on leaf base of palm tree | 60 x 15 cm
Traces of Arabian civilization VI | 2015 | oil paint on leaf base of palm tree | 60 x 15 cm
The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai| 2024 | Presentation, Cardiff | UK

The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai| 2024 | Presentation, Cardiff | UK
The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai.
In 1590, Gasparo Balbi, a pearl merchant from Venice, mentioned Dubai and other regions in the UAE in his travelogue “Viaggio dell’Indie orientali”. Balbi was traveling through the region in search of pearls, which were highly valuable commodities in Europe at the time. Renaissance painters like Rembrandt and Vermeer frequently depicted pearls in their works. Vermeer’s “Girl with a Pearl Earring,” created around 1665, is one notable example. During Balbi’s exploration of the Persian Gulf and the Arabian Peninsula, he took note of several key locations associated with the pearl trade, including Dubai, Sharjah Ajman, Ras Al Khaima, etc in the UAE. His mention of Dubai and its surroundings is one of the earliest known references to the area, indicating that even in the late 16th century, Dubai had begun to gain prominence as a hub for the lucrative pearl industry, exporting to Europe. Balbi’s writings provide valuable historical insight into the region’s economic activity and its role in international trade long before the modern development of Dubai as a global city.
Vermeer’s “Girl with a Pearl Earring” created around 1665 CE, has been interpreted as portraying a young woman in an attire with exotic influences, potentially inspired by Ottoman court fashion. The blue turban and lemon-yellow veil-like cloth cascade from the top to the shoulders, presenting an exotic Ottoman attire from the Dutch perspective. Particularly captivating element of the painting is the substantial waterdrop-shaped pearl hanging from her ear. The segment of the pearl glistens with a golden hue, creating a vivid contrast against the shaded area of her neck. During that era, Oman and many parts of the UAE, including Dubai were prominent pearl producers in the Middle East, catering to Europe’s demand for these exquisite gems.
hashtag Emirates hashtag Renaissance hashtag Art hashtag shihabvaippipadath hashtag pearl hashtag dubai hashtag vermeer
Traces of Arabian civilization VI | 2015 | oil paint on leaf base of palm tree | 60 x 15 cm

Traces of Arabian civilization VI | 2015 | oil paint on leaf base of palm tree | 60 x 15 cm
Traces of Arabian civilization VI | 2015 | oil paint on leaf base of palm tree | 60 x 15 cm
The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai| 2024 | Presentation, Cardiff | UK

The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai| 2024 | Presentation, Cardiff | UK
The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai.
In 1590, Gasparo Balbi, a pearl merchant from Venice, mentioned Dubai and other regions in the UAE in his travelogue “Viaggio dell’Indie orientali”. Balbi was traveling through the region in search of pearls, which were highly valuable commodities in Europe at the time. Renaissance painters like Rembrandt and Vermeer frequently depicted pearls in their works. Vermeer’s “Girl with a Pearl Earring,” created around 1665, is one notable example. During Balbi’s exploration of the Persian Gulf and the Arabian Peninsula, he took note of several key locations associated with the pearl trade, including Dubai, Sharjah Ajman, Ras Al Khaima, etc in the UAE. His mention of Dubai and its surroundings is one of the earliest known references to the area, indicating that even in the late 16th century, Dubai had begun to gain prominence as a hub for the lucrative pearl industry, exporting to Europe. Balbi’s writings provide valuable historical insight into the region’s economic activity and its role in international trade long before the modern development of Dubai as a global city.
Vermeer’s “Girl with a Pearl Earring” created around 1665 CE, has been interpreted as portraying a young woman in an attire with exotic influences, potentially inspired by Ottoman court fashion. The blue turban and lemon-yellow veil-like cloth cascade from the top to the shoulders, presenting an exotic Ottoman attire from the Dutch perspective. Particularly captivating element of the painting is the substantial waterdrop-shaped pearl hanging from her ear. The segment of the pearl glistens with a golden hue, creating a vivid contrast against the shaded area of her neck. During that era, Oman and many parts of the UAE, including Dubai were prominent pearl producers in the Middle East, catering to Europe’s demand for these exquisite gems.
hashtag Emirates hashtag Renaissance hashtag Art hashtag shihabvaippipadath hashtag pearl hashtag dubai hashtag vermeer
Traces of Arabian civilization VI | 2015 | oil paint on leaf base of palm tree | 60 x 15 cm

Traces of Arabian civilization VI | 2015 | oil paint on leaf base of palm tree | 60 x 15 cm
Traces of Arabian civilization VI | 2015 | oil paint on leaf base of palm tree | 60 x 15 cm

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The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai| 2024 | Presentation, Cardiff | UK

The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai| 2024 | Presentation, Cardiff | UK
The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai.
In 1590, Gasparo Balbi, a pearl merchant from Venice, mentioned Dubai and other regions in the UAE in his travelogue “Viaggio dell’Indie orientali”. Balbi was traveling through the region in search of pearls, which were highly valuable commodities in Europe at the time. Renaissance painters like Rembrandt and Vermeer frequently depicted pearls in their works. Vermeer’s “Girl with a Pearl Earring,” created around 1665, is one notable example. During Balbi’s exploration of the Persian Gulf and the Arabian Peninsula, he took note of several key locations associated with the pearl trade, including Dubai, Sharjah Ajman, Ras Al Khaima, etc in the UAE. His mention of Dubai and its surroundings is one of the earliest known references to the area, indicating that even in the late 16th century, Dubai had begun to gain prominence as a hub for the lucrative pearl industry, exporting to Europe. Balbi’s writings provide valuable historical insight into the region’s economic activity and its role in international trade long before the modern development of Dubai as a global city.
Vermeer’s “Girl with a Pearl Earring” created around 1665 CE, has been interpreted as portraying a young woman in an attire with exotic influences, potentially inspired by Ottoman court fashion. The blue turban and lemon-yellow veil-like cloth cascade from the top to the shoulders, presenting an exotic Ottoman attire from the Dutch perspective. Particularly captivating element of the painting is the substantial waterdrop-shaped pearl hanging from her ear. The segment of the pearl glistens with a golden hue, creating a vivid contrast against the shaded area of her neck. During that era, Oman and many parts of the UAE, including Dubai were prominent pearl producers in the Middle East, catering to Europe’s demand for these exquisite gems.
hashtag Emirates hashtag Renaissance hashtag Art hashtag shihabvaippipadath hashtag pearl hashtag dubai hashtag vermeer
Traces of Arabian civilization VI | 2015 | oil paint on leaf base of palm tree | 60 x 15 cm

Traces of Arabian civilization VI | 2015 | oil paint on leaf base of palm tree | 60 x 15 cm
Traces of Arabian civilization VI | 2015 | oil paint on leaf base of palm tree | 60 x 15 cm
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The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai| 2024 | Presentation, Cardiff | UK

The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai| 2024 | Presentation, Cardiff | UK
The Influence of the Emirates in Renaissance Art: The Journey of a Venetian Pearl Merchant to Dubai.
In 1590, Gasparo Balbi, a pearl merchant from Venice, mentioned Dubai and other regions in the UAE in his travelogue “Viaggio dell’Indie orientali”. Balbi was traveling through the region in search of pearls, which were highly valuable commodities in Europe at the time. Renaissance painters like Rembrandt and Vermeer frequently depicted pearls in their works. Vermeer’s “Girl with a Pearl Earring,” created around 1665, is one notable example. During Balbi’s exploration of the Persian Gulf and the Arabian Peninsula, he took note of several key locations associated with the pearl trade, including Dubai, Sharjah Ajman, Ras Al Khaima, etc in the UAE. His mention of Dubai and its surroundings is one of the earliest known references to the area, indicating that even in the late 16th century, Dubai had begun to gain prominence as a hub for the lucrative pearl industry, exporting to Europe. Balbi’s writings provide valuable historical insight into the region’s economic activity and its role in international trade long before the modern development of Dubai as a global city.
Vermeer’s “Girl with a Pearl Earring” created around 1665 CE, has been interpreted as portraying a young woman in an attire with exotic influences, potentially inspired by Ottoman court fashion. The blue turban and lemon-yellow veil-like cloth cascade from the top to the shoulders, presenting an exotic Ottoman attire from the Dutch perspective. Particularly captivating element of the painting is the substantial waterdrop-shaped pearl hanging from her ear. The segment of the pearl glistens with a golden hue, creating a vivid contrast against the shaded area of her neck. During that era, Oman and many parts of the UAE, including Dubai were prominent pearl producers in the Middle East, catering to Europe’s demand for these exquisite gems.
hashtag Emirates hashtag Renaissance hashtag Art hashtag shihabvaippipadath hashtag pearl hashtag dubai hashtag vermeer
Traces of Arabian civilization VI | 2015 | oil paint on leaf base of palm tree | 60 x 15 cm

Traces of Arabian civilization VI | 2015 | oil paint on leaf base of palm tree | 60 x 15 cm
Traces of Arabian civilization VI | 2015 | oil paint on leaf base of palm tree | 60 x 15 cm