Showing 109–144 of 188 results
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Art History, Digital Drawing, Drawing, Exhibition, Research, Shihab
John Ruskin 1885, Stones of Venice | 2024 | Presentation | Techniquest, Cardiff | UK
Art History, Digital Drawing, Drawing, Exhibition, Research, ShihabJohn Ruskin 1885, Stones of Venice | 2024 | Presentation | Techniquest, Cardiff | UK
Vermeer’s “Girl with a Pearl Earring” created around 1665 CE, has been interpreted as portraying a young woman in an attire with exotic influences, potentially inspired by Ottoman court fashion. The blue turban and lemon-yellow veil-like cloth cascade from the top to the shoulders, presenting an exotic Ottoman attire from the Dutch perspective. Particularly captivating element of the painting is the substantial waterdrop-shaped pearl hanging from her ear. The segment of the pearl glistens with a golden hue, creating a vivid contrast against the shaded area of her neck. During that era, Oman and Ras Al Khaima in UAE were prominent pearl producers in the Middle East, catering to Europe’s demand for these exquisite gems.
SKU: John Ruskin 1885, Stones of Venice -
Shihab, Watercolour
Lady sitting on a chair | 2006 | Watercolour and ink on paper | 64 x 50 cm
Lady sitting on a chair | 2006 | Watercolour and ink on paper | 64 x 50 cm
Collection in GermanyAn uninvited guest often visits your room. At least once, you should see and get to know the guest. you should share your joys and sorrows with them. In the end, one day, that guest will depart, taking you along to a place unseen by anyone.
Lady sitting on a chair
watercolour shihabvaippipadathSKU: Lady sitting on a chair -
Landscape, Pen Drawing, Shihab
Llandaff cathedral II, Cardiff, UK | 2022 | pen drawing on paper | 15 x 15 cm
Landscape, Pen Drawing, ShihabLlandaff cathedral II, Cardiff, UK | 2022 | pen drawing on paper | 15 x 15 cm
Llandaff cathedral II, Cardiff, UK | 2022 | pen drawing on paper | 15 x 15 cm
Llandaff Cathedral (1120 AD)
Llandaff Cathedral is a famous medieval-Gothic church in Cardiff, built in 1120 AD. During my time living in Germany between 1998 and 2012, I had the opportunity to interact with several people who had participated in World War II. An adventurous experience shared with me by a former pilot I met in Heidelberg might be connected to this cathedral.
In 1941, during World War II, when he was just 19 years old, he flew a bomber aircraft from Frankfurt toward Britain and dropped bombs there. However, the sight that awaited him when he returned home after the mission was devastating; the American army had completely bombed and destroyed his village. He later told me that he had gained absolutely nothing from the war.
The cathedral suffered severe damage from bombings during World War II. A large crater caused by a fallen bomb back then can still be seen on the grounds outside the cathedral today. Even there, they haven’t explicitly mentioned ‘Germany’; instead, they have only written ‘our enemies.’ This stands as a symbol of respect and humanity shown toward the German people. I spent a few minutes in silence, praying for both the German and Welsh people who lost their lives during the war.
The cathedral was later restored, and it still stands today as a proud symbol of the culture and grandeur of Wales.
hashtagllandaffcathedral hashtagwales hashtagdrawing hashtagshihabvaippipadath
SKU: Llandaff cathedral-2 -
Landscape, Pen Drawing, Shihab
Llandaff cathedral, Cardiff, UK | 2022 | pen drawing on paper | 15 x 15 cm
Landscape, Pen Drawing, ShihabLlandaff cathedral, Cardiff, UK | 2022 | pen drawing on paper | 15 x 15 cm
Llandaff cathedral, Cardiff, UK | 2022 | pen drawing on paper | 15 x 15 cm
Llandaff Cathedral (1120 AD)
Llandaff Cathedral is a famous medieval-Gothic church in Cardiff, built in 1120 AD. During my time living in Germany between 1998 and 2012, I had the opportunity to interact with several people who had participated in World War II. An adventurous experience shared with me by a former pilot I met in Heidelberg might be connected to this cathedral.
In 1941, during World War II, when he was just 19 years old, he flew a bomber aircraft from Frankfurt toward Britain and dropped bombs there. However, the sight that awaited him when he returned home after the mission was devastating; the American army had completely bombed and destroyed his village. He later told me that he had gained absolutely nothing from the war.
The cathedral suffered severe damage from bombings during World War II. A large crater caused by a fallen bomb back then can still be seen on the grounds outside the cathedral today. Even there, they haven’t explicitly mentioned ‘Germany’; instead, they have only written ‘our enemies.’ This stands as a symbol of respect and humanity shown toward the German people. I spent a few minutes in silence, praying for both the German and Welsh people who lost their lives during the war.
The cathedral was later restored, and it still stands today as a proud symbol of the culture and grandeur of Wales.
SKU: Llandaff cathedral -
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Event, Exhibition, Shihab
Out of a Box | exhibition | Artry | Dubai, UAE | 2014
Out of a Box | exhibition | Artry | Dubai, UAE | 2014
Out of a Box, a collaborative art project on migration,
an installation incorporating individual conceptual work of around 40 artists, along with interactive floor art.SKU: Out of a Box -
Charcoal, Landscape, Shihab
Ras Al Khor I | 2016 | charcoal on paper | 43 x 60 cm
Ras Al Khor I | 2016 | charcoal on paper | 43 x 60 cm
Dubai is one of the most beautiful pearls on Earth; its shape, color, and beauty are truly marvelous. From the Ras Al Khor Wildlife Sanctuary, you can see thousands of flamingos set against the backdrop of the modern Creek Metro Station and rising urban development projects. Dubai is a transforming metropolitan city – from clay to gold.
SKU: Ras Al Khor I | 2016 | charcoal on paper | 43 x 60 cm -
Art History, Digital Drawing, Pen Drawing, Research, Shihab
Resonance of the Caravans | 2026 | digital drawing | 4k
Art History, Digital Drawing, Pen Drawing, Research, ShihabResonance of the Caravans | 2026 | digital drawing | 4k
Resonance of the Caravans:
The Evolution of the Camel Motif in Venetian Renaissance ArtIntroduction
In Renaissance Venice, the Near East was a lived daily reality shaped by Levantine trade, diplomacy, and multicultural interaction. Within this continuous exchange, the camel became one of the Republic’s most resonant iconographic motifs. This motif originated as a static 13th-century Istrian stone relief on the facade of the Palazzo Mastelli del Cammello in Cannaregio, functioning as a commercial emblem for Levantine silk and spice merchants. Over the Quattrocento and Cinquecento, however, this artefact evolved into a dynamic element of Venetian Renaissance painting. This paper traces that evolution – from the material culture of the Palazzo Mastelli relief and the multicultural milieu of Cannaregio to the canvases of Tintoretto. Residing on the Fondamenta dei Mori, Tintoretto absorbed these local urban motifs, transforming the camel and merchant from a static trade symbol into a kinetic engine of Mannerist sacred drama.SKU: Resonance of the Caravans -
Art History, Digital Drawing, Exhibition, Research, Shihab
Resonance of the Caravans: The Evolution of the Camel Motif in Venetian Renaissance Art | 2026
Art History, Digital Drawing, Exhibition, Research, ShihabResonance of the Caravans: The Evolution of the Camel Motif in Venetian Renaissance Art | 2026
Resonance of the Caravans:
The Evolution of the Camel Motif in Venetian Renaissance ArtIntroduction
In Renaissance Venice, the Near East was a lived daily reality shaped by Levantine trade, diplomacy, and multicultural interaction. Within this continuous exchange, the camel became one of the Republic’s most resonant iconographic motifs. This motif originated as a static 13th-century Istrian stone relief on the facade of the Palazzo Mastelli del Cammello in Cannaregio, functioning as a commercial emblem for Levantine silk and spice merchants. Over the Quattrocento and Cinquecento, however, this artefact evolved into a dynamic element of Venetian Renaissance painting. This paper traces that evolution – from the material culture of the Palazzo Mastelli relief and the multicultural milieu of Cannaregio to the canvases of Tintoretto. Residing on the Fondamenta dei Mori, Tintoretto absorbed these local urban motifs, transforming the camel and merchant from a static trade symbol into a kinetic engine of Mannerist sacred drama.SKU: Ed-Dur-1






























